Selected writing.
Feature articles
The artists who made it in London against the odds // Apollo Magazine
An erotic ellipsis: the ending of Variety (1983) // Sight and Sound
Cordillera Dreams: Under the Sky Shelter // Open City Documentary Festival
An Experimental AI Film Director Calls it Quits // Hyperallergic
The eyes which see reality: four short films with non-human perspectives // Square Eyes
Discover the haunting ghost stories of Tracey Moffatt’s beDevil // Little White Lies
They lay on the floor like starfish // MAP Magazine
The Future Perfect: Tomorrow’s Thoughts Today on Urban Possibilities // MUBI Notebook
In search of the locations for the Dirk Bogarde thriller Victim // BFI
Reviews
Subhadra Mahajan’s Second Chance // The Film Verdict
Baloji’s Omen // Sight and Sound
Graeme Arnfield’s Home Invasion // Hyperallergic
Inrasothythep Neth and Sokyou Chea’s Tenement // The Film Verdict
Michaelangelo Frammartino’s Il Buco // Sight and Sound
Adirley Queirós and Joana Pimenta’s Dry Ground Burning // Hyperallergic
Lawrence Michael Levine’s Black Bear // Little White Lies
Paradise Lost: Close-Up on “Behemoth // MUBI Notebook
Interviews
Interview: Albert Serra, dir. Pacifiction // CineVue
Interview: Katharine Fry // ALT/KINO
Luke Fowler on his Margaret Tait film Being in a Place // The Skinny
Director Laura Wandel: ‘The brutality of the playground is conveyed through noise’ // The Guardian
Michelangelo Frammartino – ‘The purpose of art is to explore the ineffable’ // Little White Lies
Matthew Barney on his new film Redoubt, and why exhibition is the best way to see it // Sight and Sound
Cheese and Worms: A Conversation with Jonas Mekas // MUBI Notebook
The Boy with Kaleidoscope Eyes // Vérité Film Magazine pp. 8-13
Fiction
Blessed by Holy Light // Cold Open Stories