2024

• Nostalgia of a (Still) Alive Heart, The Film Verdict, September (review)

• Saint Clare, The Film Verdict, September (review)

• Swing Bout, The Film Verdict, September (review)

• Telepathic Letters, The Film Verdict, September (review)

• Bits, The Film Verdict, September (review)

• Traumnovelle, The Film Verdict, September (review)

• Mi Bestia, The Film Verdict, September (review)

• Electra, The Film Verdict, September (review)

• Skin, The Film Verdict, September (review)

• Naqqash Khalid on In Camera, The Skinny, September (interview)

• Almost Certainly False, The Film Verdict, September (review)

• Three Keenings, The Film Verdict, September (review)

• Kora, The Film Verdict, September (review)

• The Poison Cat, The Film Verdict, September (review)

• The Eggregores’ Theory, The Film Verdict, September (review)

• Mother Mara, The Film Verdict, August (review)

• On the Way, The Film Verdict, August (review)

• Cent’anni, The Film Verdict, August (review)

• The Man Who Could Not Remain Silent, The Film Verdict, August (review)

• 3 MWh, The Film Verdict, August (review)

• Like a Sick Yellow, The Film Verdict, August (review)

• looking she said I forget, The Film Verdict, August (review)

• Freak, The Film Verdict, August (review)

• Practice, Practice, Practice, The Film Verdict, August (review)

• Night Has Come, The Film Verdict, July (review)

• Tiny Lights, The Film Verdict, July (review)

• Second Chance, The Film Verdict, July (review)

• Windless, The Film Verdict, July (review)

• Lapilli, The Film Verdict, July (review)

• The Dead Don’t Hurt, The Film Verdict, July (review)

• Banzo, The Film Verdict, July (review)

• Pirates of the Mediterranean, The Film Verdict, June (review)

• Beautiful Lie, The Film Verdict, June (review)

• A Toast to St Martiria, Sight & Sound, June (review) [print only]

• Omen, Sight & Sound, May (review)

• Empathfridges, The Film Verdict, April (review)

• If I die, will I go home?, The Film Verdict, April (review)

• Hafey, The Film Verdict, April (review)

• for here am i sitting in a tin can far above the world, The Film Verdict, February (review)

• That’s All from Me, The Film Verdict, February (review)

• Tako Tsubo, The Film Verdict, February (review)

• In Praise of Slowness, The Film Verdict, February (review)

• The Moon Also Rises, The Film Verdict, February (review)

• Towards the Sun, Far from the Center, The Film Verdict, February (review)

• Remains of the Hot Day, The Film Verdict, February (review)

• Bye Bye Turtle, The Film Verdict, February (review)

• Pepe, The Film Verdict, February (review)

• Circle, The Film Verdict, February (review)

• Meanwhile on Earth, The Film Verdict, February (review)

• Muna, The Film Verdict, February (review)

• 78 Days, The Film Verdict, February (review)

• The artists who made it in London against the odds, Apollo Magazine, February (feature)

• Daphne was a torso ending in leaves, The Film Verdict, January (review)

• Tenement, The Film Verdict, January (review)

• History Is Written at Night, The Film Verdict, January (review)

• DUCK, The Film Verdict, January (review)

2023

• Fallen Leaves, The Skinny, November (review)

• 14 Paintings, The Film Verdict, November (review)

• Between Delicate and Violent, The Film Verdict, November (review)

• I Would Like to Rage, The Film Verdict, November (review)

• Salvaged Histories: António Campos, Sight & Sound, November (feature) [print only]

• An Asian Ghost Story, The Film Verdict, October (review)

• Compound Eyes of Tropical, The Film Verdict, October (review)

• In Camera: All the world’s a stage, Belfast Film Festival, October (feature)

• Lumene: Privatisation, The Film Verdict, October (review)

• Zima, The Film Verdict, October (review)

• Three Windows on South West, The Film Verdict, October (review)

• Samsara, Sight & Sound, October (review)

• We Are the Hollow Men, The Film Verdict, September (review)

• Pirsas, The Film Verdict, September (review)

• Amma ki Katha, The Film Verdict, September (review)

• Single Light, The Film Verdict, September (review)

• Trailer of a Film That Will Never Exist: “Phony Wars”, The Film Verdict, September (review)

• Grill, The Film Verdict, September (review)

• Seaweed, The Film Verdict, September (review)

• From Dawn Till Noon on the Sea, The Film Verdict, September (review)

• Our Males and Females, The Film Verdict, September (review)

• Robot Dreams, The Film Verdict, September (review)

• Dream Maker, The Film Verdict, September (review)

• Cleaner, The Film Verdict, September (review)

• Wander to Wonder, The Film Verdict, September (review)

• We Should All Be Futurists, The Film Verdict, September (review)

• Gasoline Rainbow, The Film Verdict, September (review)

• Sentimental Stories, The Film Verdict, September (review)

• Sea Salt, The Film Verdict, September (review)

• In the Shadow of the Cypress, The Film Verdict, September (review)

• On the waterfront: the Liverpool Biennial, Sight & Sound, September (feature) [print only]

• The Nettle Dress, Sight & Sound, September (review) [print only]

• The Way We Were, Open City Documentary Festival, September (feature)

• Requiem to the Hot Days of Summer, The Film Verdict, August (review)

• Fran and Verka; or A Usual Day in an Abandoned Village, The Film Verdict, August (review)

• From the Corner of My Eyes, The Film Verdict, August (review)

• Medium, The Film Verdict, August (review)

• Lost Children, The Film Verdict, August (review)

• Blessed by Holy Light, Cold Open Stories, August (flash fiction)

• Self-Portrait Along the Borderline, The Film Verdict, August (review)

• Valerija, The Film Verdict, August (review)

• 29th Sarajevo Film Festival Opens Its Doors, The Film Verdict, August (feature)

• Dammi, The Film Verdict, August (review)

• Kill ‘Em All, The Film Verdict, August (review)

• iNTELLIGENCE, The Film Verdict, August (review)

• NIGHT SHIFT, The Film Verdict, August (review)

• A Tortoise’s Year of Fate, The Film Verdict, August (review)

• The Cinema of Danièle Huillet and Jean-Marie Straub, Sight & Sound, July (review) [print only]

• Feathers, Sight & Sound, July (review)

• Dancing on the Edge of a Volcano, The Film Verdict, July (review)

• Red Rooms, The Film Verdict, July (review)

• The Hypnosis, The Film Verdict, July (review)

• Shorts That Impress Us at KVIFF 57, The Film Verdict, July (feature)

• Empty Nets, The Film Verdict, July (review)

• In Camera, The Film Verdict, July (review)

• The Lost Children, The Film Verdict, July (review)

• Anselm, The Film Verdict, May (review)

• The Goldman Case, The Film Verdict, May (review)

• Ignorant Rock, Sentimental Layer, MAP Magazine, May (festival report)

• Everything Everywhere Again Alive, Sight and Sound, May (review) [print only]

• Portrait of Kaye, Sight and Sound, May (review)

• Interview: Katharine Fry, ALT/KINO, April (interview)

• Martika Ramirez Escobar on Leonor Will Never Die, The Skinny, April (interview)

• Endings: Variety, Sight and Sound, April (feature) [print only]

• My Imaginary Country, Indie Cinema Guide, March (preview)

• Leonor Will Never Die, Indie Cinema Guide, March (preview)

• Luke Fowler on his Margaret Tait film Being in a Place, The Skinny, March (interview)

• Electric Malady, Sight and Sound, March (review)

• Three more docs about docs, Sight and Sound, March (side feature) [print only]

• Hidden gems: beDevil, Sight and Sound, March (feature contribution) [print only]

• Progress Meets Paranoia in Home Invasion, Hyperallergic, February (review)

• Dipped in Black, The Film Verdict, February (review)

• A Kind of Testament, The Film Verdict, February (review)

• Terra Mater - Mother Land, The Film Verdict, February (review)

• Waking Up in Silence, The Film Verdict, February (review)

• Jill, Uncredited, The Film Verdict, February (review)

• Last Things, The Film Verdict, February (review)

• Geology of Separation, Sight and Sound, February (review)

• Não Sou Nada - The Nothingness Club, Sight and Sound, February (review)

• More films by Laura Poitras, Sight and Sound, February (side feature) [print only]

• Husband, Sight and Sound, February (review)

• Human Nature, The Film Verdict, January (review)

• Natura, The Film Verdict, January (review)

• Southern Storm, The Film Verdict, January (review)

• Prosinečki, The Film Verduct, January (review)

• Tito, The Film Verduct, January (review)

• Night and Fear, The Film Verduct, January (review)

• ALiEN0089, The Film Verduct, January (review)

• Darkling, The Film Verduct, January (review)

2022

• The Draughtsman’s Contract, Sight and Sound, December (review) [print only]

• More works by Adam Curtis, Sight and Sound, December (side feature) [print only]

• Russia 1985-1999: Traumazone, Sight and Sound, December (review) [print only]

• Uncanny Me, The Film Verdict, November (review)

• Mother Earth’s Inner Organs, The Film Verdict, November (review)

• FIFA Uncovered, Sight and Sound, November (review)

• Devil’s Peak, The Film Verdict, November (review)

• Wanderers in Space and Time, Sight and Sound, November (feature) [print only]

• How To with John Wilson, Sight and Sound, November (review) [print only]

• Motorrodillo, The Film Verdict, October (review)

• Sub Terra, The Film Verdict, October (review)

• The Mechanics of Fluids, The Film Verdict, October (review)

• Make or Break, The Film Verdict, October (review)

• On Taphonomy, The Film Verdict, October (review)

• Geographies of Solitude, The Film Verdict, October (review)

• On the Morning You Wake (to the End of the World), Sight & Sound, October (review)

• As Mine Exactly, Sight & Sound, October (review)

• Anthony Marra: ‘For every Billy Wilder there is someone like Bertolt Brecht’, Little White Lies, October (interview)

• The Shining: A Visual and Cultural Haunting, Sight & Sound, October (review) [print only]

• The Rehearsal, Sight & Sound, October (review)

• Midwives, Sight & Sound, October (review)

• Raw, The Film Verdict, September (review)

• The Sound of Dreaming, The Film Verdict, September (review)

• Parsley, The Film Verdict, September (review)

• Radio Silence, The Film Verdict, September (review)

• Still Is, The Film Verdict, September (review)

• Brasier, The Film Verdict, September (review)

• Look at Me, The Film Verdict, September (review)

• Christopher at Sea, The Film Verdict, September (review)

• My Girl Friend, The Film Verdict, September (review)

• Tria, The Film Verdict, September (review)

• Snow in September, The Film Verdict, September (review)

• More films by Grant Gee, Sight & Sound, September (side feature) [print only]

• The Gold Machine, Sight & Sound, September (review)

• Cordillera Dreams : Ben Nicholson on Under the Sky Shelter, Open City Documentary Festival, September (feature)

• August Sky, The Film Verdict, September (review)

• North Pole, The Film Verdict, September (review)

• The Baldwin Archives, The Film Verdict, September (review)

• 5pm Seaside, The Film Verdict, September (review)

• The Water Murmurs, The Film Verdict, September (review)

• Love Dog, The Film Verdict, August (review)

• Ribs, The Film Verdict, August (review)

• That’s How the Summer Ended, The Film Verdict, August (review)

• No Place for You in Our Town, The Film Verdict, August (review)

• Atonal Glow, The Film Verdict, August (review)

• Babajanja, The Film Verdict, August (review)

• Liturgy of Anti-tank Obstacles, The Film Verdict, August (review)

• Bachelorette Party, The Film Verdict, August (review)

• An Experimental AI Film Director Calls it Quits, Hyperallergic, July (feature)

• The eyes which see reality: four short films with non-human perspectives, Square Eyes, July (feature)

• KVIFF 2022: Our Festival Highlights, CineVue, July (feature)

• In Broad Daylight, The Film Verdict, July (review)

• The Trees, The Film Verdict, July (review)

• Pamfir, The Film Verdict, July (review)

• A Provincial Hospital, The Film Verdict, July (review)

• Catcave Hysteria, The Film Verdict, July (review)

• Fools, The Film Verdict, July (review)

• America, The Film Verdict, July (review)

• Strasbourg 1518, The Film Verdict, July (review)

• Borders of Love, The Film Verdict, July (review)

• The Uncle, The Film Verdict, July (review)

• Pietà, The Film Verdict, July (review)

• The Night, The Film Verdict, July (review)

• And Then There Was Love…, The Film Verdict, July (review)

• Sideral, The Film Verdict, July (review)

• A Bad Feeling About This: Solving Star Wars' problems, The Skinny, June (feature)

• Michelangelo Frammartino – ‘The purpose of art is to explore the ineffable’, Little White Lies, June (interview)

• More films by Michelangelo Frammartino, Sight & Sound, June (side feature) [print only]

• Il Buco, Sight and Sound, June (review)

• The Beautiful Game on the Silver Screen, The Skinny, May (feature)

• Ice Merchants, The Film Verdict, May (review)

• Night Light, The Film Verdict, May (review)

• Persona, The Film Verdict, May (review)

• Tsutsue, The Film Verdict, May (review)

• The Spiral, The Film Verdict, May (review)

• Liquid Bread, The Film Verdict, May (review)

• The Pass, The Film Verdict, May (review)

• On Xerxes’ Throne, The Film Verdict, May (review)

• Will You Look At Me, The Film Verdict, May (review)

• Amo, The Film Verdict, May (review)

• The Stranger, The Film Verdict, May (review)

• Wider Screen: Man Marked for Death, 20 Years Later, Sight & Sound, May (feature) [print only]

• Found Footage & Collage Films: Selected Works, Sight & Sound, May (review) [print only]

• Spotlight: Leah Purcell, Sight & Sound, May (side feature) [print only]

• The Drover’s Wide: The Legend of Molly Johnson, Sight & Sound, May (review)

• The Score: Ilan Eskeri, Composer, Sight & Sound, May (interview) [print only]

• An All-Female Gang Sells Black-Market Oil in Dry Ground Burning, Hyperallergic, May (review)

• Ten Films to Watch this International Workers Day, The Skinny, April (feature)

• Director Laura Wandel: ‘The brutality of the playground is conveyed through noise’, The Guardian, April (interview)

• Spotlight: Payal Kapadia, Sight and Sound, April (side feature) [print only]

• A Night of Knowing Nothing, Sight and Sound, April (review) [print only]

• When There Is No More Music To Write, and other Roman Stories, The Film Verdict, April (review)

• Congress of Idling Persons, The Film Verdict, April (review)

• Fire of Love, The Film Verdict, April (review)

• Mangrove School, The Film Verdict, March (review)

• Study of a Fight, The Film Verdict, March (review)

• The Abyss, The Film Verdict, March (review)

• The Invitation, The Film Verdict, March (review)

• Back in the News, The Skinny, March (interview)

• Haulout, The Film Verdict, February (review)

• Heroines, The Film Verdict, February (review)

• It’s Raining Frogs Outside, The Film Verdict, February (review)

• North Terminal, The Film Verdict, February (review)

• Trap, The Film Verdict, February (review)

• Please Baby Please, Sight and Sound, February (review)

• Memoir of a Veering Storm, The Film Verdict, February (review)

• Memories of the Eastern Front, The Film Verdict, February (review)

• Malintzin 17, Sight and Sound, February (review)

• Dragon Tooth, The Film Verdict, February (review)

• Dirndlschuld, The Film Verdict, February (review)

• Agrilogistics, The Film Verdict, February (review)

• Oink, The Film Verdict, February (review)

• Blue Has No Dimensions, The Film Verdict, February (review)

• Kumbuka, The Film Verdict, February (review)

• Murmurs of the Jungle, The Film Verdict, February (review)

• Tugging Diary, The Film Verdict, February (review)

• Nosferasta: First Bite, The Film Verdict, February (review)

• Discover the haunting ghost stories of Tracey Moffatt’s beDevil, Little White Lies, February (feature)

• Songs for Dying, The Film Verdict, February (review)

• Constant, The Film Verdict, February (review)

• The Making of Crimes Scenes, The Film Verdict, January (review)

• Becoming Male in the Middle Ages, The Film Verdict, January (review)

• Nazarbazi, The Film Verdict, January (review)

• Warsha, The Film Verdict, January (review)

• Egúngún (Masquerade), The Film Verdict, January (review)

• Listen to the Beat of Our Images, The Film Verdict, January (review)

• Tundra, The Film Verdict, January (review)

• Sandstorm, The Film Verdict, January (review)

• $75,000, The Film Verdict, January (review)

• Bestia, The Film Verdict, January (review)

• The Headhunter’s Daughter, The Film Verdict, January (review)

• Love Stories on the Move, The Film Verdict, January (review)

• Zoon, The Film Verdict, January (review)

• Lost Flowers, The Film Verdict, January (review)

• Licorice Pizza, Sight and Sound, January (review)

2021

• 2021: the year in documentary, Sight and Sound, December (feature)

• Bloodsuckers, Sight and Sound, December (feature) [print only]

• C’Mon C’Mon, Sight and Sound, December (review)

• In praise of Youn Yuh-jung – Korean cinema’s most enduring star, Little White Lies, November (feature)

• The best of Experimenta at BFI London Film Festival 2021, Sight and Sound, October (feature)

• Il Buco takes viewers on a meditative dive through the caves of Calabria, Sight and Sound, October (review)

• The Silence Before Bach/Mudanza, Sight and Sound, September (review) [print only]

• El Father Plays Himself, Sight and Sound, September (review) [print only]

• 10 great films about drinking, British Film Institute, July (feature)

• The Filmmaker’s House finds Marc Isaacs working from home, Sight and Sound, June (review)

• Gunda gets down and dirty with a sow, Sight and Sound, June (review)

• Matthew Barney on his new film Redoubt, and why exhibition is the best way to see it, Sight and Sound, May (interview)

• Alchemy Film & Moving Image Festival 2021 round-up: loops and cycles in a world of stasis, Sight and Sound, May (feature)

• They Lay on the Floor Like Starfish, MAP Magazine, April (feature)

• Highlights from the 59th Ann Arbor Film Festival, ALT/KINO, April (feature)

• Black Bear, Little White Lies, April (review)

• Krabi, 2562 on Blu-ray, ALT/KINO, March (review)

2020

• Waxworks, Sight and Sound, December (review) [print only]

• 25FPS correspondences #4: 'Visions', ALT/KINO, October (feature)

• 25FPS correspondences #2: ‘Frames’, ALT/KINO, September (feature)

• Profile: Stephen Broomer, Sight and Sound, September (feature) [print only]

• The Whalebone Box, Sight and Sound, April (review) [originally in print but made available online]

• Interview: Pedro Costa, dir. Vitalina Varela, CineVue, March (interview)

• William Fowler talks about the BFI’s Experimenta Mixtape, ALT/KINO, February (interview)

• Where to begin with Bong Joon-ho, British Film Institute, January (feature)

2019

• The Year in Expanded Cinema, Sight and Sound, December (feature) [print only]

• Stephen Broomer discusses his first feature, 'Potamkin', ALT/KINO, December (interview)

• Aquarela, Sight and Sound, December (review) [originally in print but made available online]

• Here For Life, Sight and Sound, November (review) [originally in print but made available online]

• Our country needs to see this: the early documentaries of Zhao Liang, Blog, October (feature)

• Reimagining Cinema from Nature’s Perspective, Hyperallergic, October (feature)

• Focus: The Last Male on Earth, The Instrumental Value Of Wildlife, Open City Documentary Festival, September (feature)

• Be It True, or Be It Fals: Stephen Broomer Discusses "Tondal's Vision", MUBI Notebook, August (interview)

• Monsoon, Sight and Sound, August (review) [originally in print but made available online]

• Zia Anger on her live performance essay ‘My First Film’, ALT/KINO, August (interview)

• Stones Have Laws, Sight and Sound, August (review) [originally in print but made available online]

• New Wave Heroes, Sight and Sound, July (feature) [print only]

• Catherine Grant on video essays, ALT/KINO, June (interview)

• Ama-San, Sight and Sound, June (review) [print only]

• Wild wonder inside and out at Alchemy 2019, Sight and Sound, June (feature)

• Diamantino, The Skinny, May (review)

• Richard Squires talks about 'Doozy', ALT/KINO, May (interview)

• Spaces, Places, MAP Magazine, May (feature)

• “Obviously, we live on screens”: how streams and online chat become films, Sight and Sound, April (feature)

• Hanging on the Word: A Conversation with Krzysztof Zanussi, MUBI Notebook, April (interview)

• Iranian cinema now: ancient mythologies in a modern medium, Sight and Sound, April (feature)

• The White Reindeer, Sight and Sound, April (review) [print only]

• Donbass, Sight and Sound, April (review) [print only]

• Border, Sight and Sound, March (review) [print only]

• Ray + Liz, Sight and Sound, March (review)

• Jellyfish, Sight and Sound, February (review) [print only]

• Diamonds of the Night, The Skinny, January (review)

2018

• Berwick Film & Media Arts Festival 2018, MUBI Notebook, November (feature)

• Becoming Animal, Sight and Sound, November (review) [print only]

• Interiors: Wavelength, Little White Lies, November (feature contribution) [print only]

• Coincoin and the Extra Humans, Sight and Sound, October (review)

• In search of the locations for the Dirk Bogarde thriller Victim, British Film Institute, October (feature)

• The Captain, Sight and Sound, October (review) [print only]

• Columbus, Sight and Sound, October (review) [originally in print but made available online]

• The Future Perfect: Tomorrow's Thoughts Today on Urban Possibilities, MUBI Notebook, October (feature)

• Preview: Berwick Film & Media Arts Festival 2018, The Skinny, September (feature)

• Sennan Asbestos Disaster, Sight and Sound, September (review)

• Sheffield Doc/Fest’s Doc/Visions 2018: changing tides in documentary cinema, Sight and Sound, August (feature)

• Neon Bull, Sight and Sound, August (review) [print only]

• Salomé Lamas on her threshold foray Extinction: “I can’t tell apart my life from filmmaking”, Sight and Sound, July (interview)

• Ex Libris: The New York Public Library, Sight and Sound, July (review) [print only]

• One or Two Questions, Sight and Sound, July (review) [print only]

• The Quiet Earth, The Skinny, June (review)

• Blake Williams on PROTOTYPE: “Artists are only beginning to discover the full capacity of 3D”, Sight and Sound, June (interview)

• Get experimental at Edinburgh International Film Festival, The Skinny, June (feature)

• Lek and the Dogs, Sight and Sound, June (review) [originally in print but made available online]

• Lek and the Dogs director Andrew Kötting: ‘I’ve become less interested in telling conventional stories’, British Film Institute, June (interview)

• Can Movies Save the World? The Girl Chewing Gum, Little White Lies, May (feature contribution) [print only]

• Cheese and Worms: A Conversation with Jonas Mekas, MUBI Notebook, April (interview)

• Uncertain countries: rethinking the landscape film at Frames of Representation 2018, Sight and Sound, April (feature)

• Paradise Lost: Close-Up on "Behemoth", MUBI Notebook, April (review)

• Examined Lives: The Films of Krzysztof Zanussi, MUBI Notebook, January (feature)

• Where to begin with Sergei Eisenstein, British Film Institute, January (feature)

• Song of Granite, Sight and Sound, January (review) [print only]